Austin Madison, a Pixar animator, recently wrote, about the creation of art and content, “…slog diligently through this quagmire of discouragement and despair.” How crushingly depressing. Excuse me while I hide in my flannel pajamas eating a half-gallon of Ben & Jerry’s and pretending Madison didn’t just hit the slush-pile nail on the head.
But, ignoring the truth never helped anybody. Ignoring the fact that most of what I read is not publishable material would mean the end of my career. For you, authors, ignoring that what you’ve written has this problem or that weakness would mean the end of yours.
So, an optimist at heart, I can’t help but point out (with one finger raised and light-bulb over my head) that all things are necessarily defined by their opposites. If you’ve received 87 rejection letters from agents and suddenly you get The Call—an agent’s offer-of-representation—that glowing pride and joy will be 87 times better than it would have been had you received only one rejection that you chalked up to some fault of the agent. Save your rejection letters (Stephen King’s were on a railroad spike nailed into the wall). Wave hello to them even as they mock you. Perhaps one day, you can mock right back.
As for me, slogging through all of the material that is (generously) not so good enhances my excitement when something special comes along and the Flash Moment unexpectedly pops up.
Ironically, Walt Disney (a man whose company now works closely with the above-mentioned animator) had something different to say about the creation of art and content: “Keep moving forward.”
So, I don’t know about you, but I happily “keep moving forward,” because I know the more diligently I “slog,” the closer I’ll get to the next Flash Moment.