QueryDice #52: Attack of the Cliche

The following is a query critique. Comments, suggestions and discussion are welcome and we hope you join in. I can only offer one opinion. The author of the query and I would love to hear yours.

Dear Ms. Ruth,

For sixteen-year-old Brynn Hartwel prophetic dreams are like living in Cloverdale, painful, annoying and there is no way to get around it. <– This is a personal preference, but this first sentence is a huge turn-off for me. It’s not that the content of the sentence is problematic–because it’s actually interesting–but rather the technical errors tell me this manuscript must be a complete mess if even 250 of this author’s words can’t step in line.

They started when she was six, got worse after her father’s death and became a secret when her mother forced a psychiatrist on her. Now with Junior year on the horizon Brynn knows she is two years closer to escaping Cloverdale and hopefully leaving all traces of her dreams behind. <–why would leaving Cloverdale put an end to the dreams? Leaving out important bits of information like this just make me think the manuscript has plot holes.

Then all hell breaks loose. <–this is a cliche. For the record, I would stop reading right around here. I was already on the fence with the missing commas, but this pushed me over. 

Her ex-best friend is found murdered and due to another one of her prophetic dreams, Brynn knows she’s next. At this point, I’m wondering what is special about this story. We’ve all heard the story of the teenager with paranormal abilities whose friend got murdered and now she’s next…what makes your story better than all the other stories just like it? But the killer isn’t your average, small town sociopath. He’s part of an ancient society of demigods, has gone rogue and is wickedly determined on seeing Brynn dead. Okay. As if on cue, you answer my question: a wicked demigod. That’s kind of cool, except you left out some really important bits of information: why would he want Brynn dead, and why has he waited so long?

But he isn’t her biggest problem. Griffin is. With his pouty lips and devilish charm, Brynn is suddenly fates fiercest opponent and will do anything to stay alive. Wait, wait. Are you telling me a love interest is more problematic for Brynn than a sociopathic demigod whose only goal (that we know of) is to kill her? I don’t buy it, and now I don’t like your main character because she seems to have her priorities in a woeful mess. Lucky for her Griffin has a secret of his own and everything from Brynn’s dreams to her father’s death is connected to Griffin and The Society of The Devine. A society created of demigods, a society created to rule man in secrecy and a society in which Brynn had been purposely hidden from till now. The staccato-style of these sentences is dramatic, but what they contain is anticlimactic for me. Since I don’t know anything about Brynn that is very specific to her and is rooted in my own world, and because of the aforementioned priority crisis, I don’t like her one bit. The world in this query is not unique enough to make me sit up straighter. This needs some salt.

Brynn was born a Devine oracle just like her father. But he refused to have her torn from her family to live a life dedicated to The Society so he made a deal with The Devine to hide her true identity.

All of the information in the last two paragraphs except for Griffin’s name, his status as a love interest and his pouty lips and devilish charm is unnecessary and confuses the plot. 

But nothing stays hidden forever. A rival group of demigods is after her and she must put her faith in three young Devine warriors sent to protect her.

As the secrets, lies and betrayals pile up no one is safe and not even a Devine oracle could predict that the true threat to The Society is the one person they are trying to protect, Brynn.

The last few sentences here are very confusing. I would reject this query letter on that alone. Author, the best thing you can do for this query letter is to start over: tell us the following things:

1. Who is your character? What makes her different from everybody else in the world, aside from her paranormal ability.

2. What does she want? If she wants nothing and life is grand for her, what throws a wrench in that?

3. What is in her way?

4. How does she set about circumventing that?

5. What is the single element of your book’s world that makes it different from Earth?

And tell it to us in fewer than 250 words. 

[redacted] is a young adult, paranormal romance novel complete at 100,000 words.

Thank you for your time.

Sincerely,
[redacted]

While this query letter needs some serious work, don’t get discouraged. We all have to start somewhere, and this is yours. Save it. Because when you write something better, the improvement you see will be your reward for your hard work. Best of luck, author, and if you re-write, let us see! 

 LR

QueryDice #51: Awesome YA Query

The following is a query critique. Comments, suggestions and discussion are welcome and we hope you join in. I can only offer one opinion. The author of the query and I would love to hear yours.

Dear Ms. Ruth,

When sixteen-year-old (If this is YA, then I’m pleased you’ve told me that up-front. If it’s not I’m pissed off that you’ve tricked me into thinking it was.) Emma Hawthorne finds the body of her best friend, Lily, floating in the river, (you have my attention. Let’s see if you hang on to it) her hard-fought control of her empathic ability crumbles. Capable of picking up emotions from other people like a radio signal, she is too damaged to tune out the constant static. Emma wants to move beyond her grief and be free from what everyone else is feeling.

Then an encounter with a stranger’s violent emotions triggers a vision of Lily’s tortured soul and Emma is faced with a terrifying sense that the drowning wasn’t an accident – and that Lily isn’t resting in peace. Her search for answers attracts unwanted attention from Patrick, a man without emotions. Simultaneously repulsed and intrigued, she allows him into her life. And when he offers to take away her ability, along with the pain it causes, she is ready to accept.

But Lily is trying to warn Emma from beyond the grave. Patrick’s offer isn’t without a price – a price that cost Lily more than her life. As Emma unravels the twisted threads connecting Patrick to Lily, she discovers he’s more dangerous than she ever thought possible. Emma must find the strength to fight the growing supernatural hold Patrick has on her – not only to give Lily the peace she deserves, but to save her sanity and possibly her soul as well.

[redacted] is a 64,000 word YA urban fantasy with romantic elements.

Thank you for your time and consideration.

Sincerely,

[redacted]

There is nothing wrong with this query. It was stellar! I know what the conflict is, that conflict has intrigued me and it has enough punch for YA. The way you divulged your book’s particulars flowed nicely and I wasn’t left needing information. I would even like to read this! My only criticisms are that I didn’t feel enough of Emma’s personality–what makes her unique–and also the only thing that made this YA was the character’s age. There is no mention of school, or typical internal conflict teenagers face.

Author, we’d love to hear the story of your query…was it rejected? How many requests did you receive? Most of all: did you get an agent?!

LR

 

QueryDice #50: Middle-Grade and Conflict

The following is a query critique. Comments, suggestions and discussion are welcome and we hope you join in. I can only offer one opinion. The author of the query and I would love to hear yours.

Dear Ms. Ruth,

1952 San Angelo is a boy’s paradise providing ten-year-old Allan with endless adventure. But when his mother becomes ill, Allan discovers it’s not excitement he longs for, but the comfort of family and the gift of friendship. <—Nice. Great beginning. One of the most important elements in a middle-grade story is internal conflict. Kids in this age-group relate more strongly to internal conflict. Even if they see an external conflict (like war, for example, or the illness of a parent) they are not completely feeling the external conflict–they are feeling what effect that has on them. Additionally, the setting is a strong point for this query, because librarians, parents and teachers will be attracted to a historical setting (kids can learn history through reading.) Now, what I’m looking for is a strong external conflict that has big stakes for more people than just Allan and his mom…that would get a yes from me. Let’s read on…

Allan spends most of his days riding on his best friend’s handlebars while looking for escapades like hunting blood-spitting horny toads, riding a bucking bronco, and winning the best Concho River storytelling contest. <–cute. I can see the book’s personality, which makes me think the author might have a great voice.

For three years, Allan watches the construction of the town’s 128 foot dam and all he can think about is riding down its long slope. Nitpick: you should change this sentence to, “For the past three years, Allan has been watching…” because otherwise it sounds just a tiny bit like we experience these three years in your book!

He just has to convince Raymond (is Raymond the best friend?) to take the ride with him. When Raymond finally agrees, Allan hesitates. His mother’s illness—knots in her lady parts is how the doctor puts it—causes Allan to feel something he’s never felt before—fear.

He remembers his mother’s words and discovers the courage he needs to conquer the adventure of a lifetime. He begins to understand what his mother has tried to teach him about the give and take of life and the importance of family, friends, and a special little town. <–hmm. I think there is more to this story that you’re not telling us…

[redacted] is a humorous, yet tender, coming-of-age MG novel complete at 40,000 words. I have extensive experience with middle grade readers and their triumphs and challenges.  I have been an elementary school counselor for nine years and a university school counselor educator for thirteen years. Currently, I am a school counselor in a 6th-12th grade school in the largest school system in the Southeast.

Thank you for your time and consideration.

Sincerely,
[redacted]

Technically, this query is fine. I know what the conflict is, I can see at least a little of the main character’s personality. I even like the premise. But I would reject it, and here’s why: remember at the beginning of this Dice, when I said I was looking for a big external conflict? I don’t see one here. That doesn’t mean there isn’t one, of course. Maybe there is. But a kid worrying about his mother’s illness and endeavoring to ride down the slope of a 128-foot dam just doesn’t have the zing I was hoping for. Something in this story needs to involve the entire town while also being an internal conflict for Allan. For example, if he instead endeavored to save the town from something and his mother’s illness tied into that, and his riding down the dam was somehow part of everything, I’d bite.

Best of luck, author!

LR

**Success story: The author of this query now has an agent! The author hopes her query will encourage writers. Of her success, she says, “Even if the query letter isn’t perfect, your manuscript can still find its way to the perfect (for you) agent! Congratulations, author!