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QueryDice #9.1: Take Two!
The following is a query critique. Comments, suggestions and discussion are welcome and we hope you join in. I can only offer one opinion. The author of the query and I would love to hear yours!
Dear Lauren Ruth:
When Prudence O’Brian uncovers a human skeleton in her landlady’s backyard, she doesn’t expect the police or the press to be too concerned. Her mother was brutally murdered and the newspapers didn’t print a blurb. The police were too busy hunting down bootleggers and raiding speakeasies to apprehend her mother’s killer. Pru doesn’t want justice to slip through the cracks again. She decides to uncover the identity of the skeleton herself, but she’s uncertain on how to begin.
I’m already seeing a potential problem. In a mystery, the amateur sleuth needs to have a very solid reason for taking the investigation into her own hands. It is hard to like a person who is a busybody or who is meddlesome. I don’t think Pru’s motivation to get involved in the case of this skeleton is strong enough. She needs a solid connection to this crime…like being forced to investigate it because she or someone close is blamed for it. Now, that’s not to say that you haven’t fleshed this out more in the book, making it believable and acceptable that Pru would investigate this on her own, just that it’s not solid enough here in this query.
That being said, this opening is a huge improvement over the last draft. You’d opened with a question, which is a huge pet-peeve of mine, and you’d provided us with a bunch of information we really don’t need.
Gus Ashton is intrigued by Pru’s quest. He offers her his knowledge as a trial attorney to go places and interview people she wouldn’t dare do alone.
Why? Who is he and why would he offer his assistance to Pru when he could be billing hours? Also, as a side note, this sentence is poorly written.
Gus is old enough to be her father, but he’s the first man she’s encountered who isn’t intimidated by her intelligence or her dangerous right hook. The farther (further is correct. Farther refers to spatial distance) they delve into their investigation, Pru realizes she and Gus have different definitions of justice, and his is silencing anyone who knows the truth.
This is very vague, which irks me. The difference between a back-of-the-book blurb and a query is that a cliffhanger is ineffective in a query, but intriguing on the back of a book. When I see a cliffhanger like this, it doesn’t make me request just to see what happens, it makes me want to move on to a query that’s made itself clear.
I’m not so sure we need to know anything about Gus. It takes you two paragraphs to get to the most compelling part about him: that his idea of justice is silencing anyone who knows the truth. I would cut the two paragraphs and just keep that one compelling sentence from your first draft: “But discovering the skeleton’s identity also means unmasking a killer whose own idea of justice is silencing anyone who knows the truth.”
I received a Bachelor of Arts in history from Drake University. After graduating from college, I worked as a tour guide at a living history museum. Most of the information we conveyed to the public had to be learned by research. I applied these skills to my novel to accurately portray life during The Great Depression.
This is an excellent improvement to your bio.
Another issue: this is the first we hear that this is a historical novel. Since you unfolded your query and it was unnecessary to mention that this was historical, I worry that you just set the story in the past without weaving that into the story.
My 100,000 word historical mystery, [redacted], is complete and available for review.
Thank you for your time.
Sincerely,
[redacted]
LR
QueryDice #24
The following is a query critique. Comments, suggestions and discussion are welcome and we hope you join in. I can only offer one opinion. The author of the query and I would love to hear yours.
Dear Agent X: (Readers, please note that this author probably wrote “Agent X” just for this exercise. You should always use the agent’s name, as in “Dear Ms. Ruth”.)
Have you ever wondered if parents can love an adopted child as much as “one of their own”? When you first heard the story of the mother who sent her adopted son on a plane back to Russia with a note pinned to his jacket stating she “no longer wished to parent this child,” were you horrified? Were you empathetic?
I normally abhor questions at the beginning of a query, because you just don’t know what the agent’s internal response is going to be. What if my answer to the first question is, “No. I don’t really care.” In that case, I would read the rest of this query thinking I don’t care about what you have to say. In this case, I just so happened to be intrigued by the questions, but that’s left up to chance. Don’t leave it up to chance.
In Children of My Own: Bringing Borya Home, I bring first-hand perspective to thoughts like these in the tale of the adoption of my 13 year old son, who struggles with Reactive Attachment Disorder (RAD) as well as Post Traumatic Stress Disorder.
Memoir is tough. Unless you’ve been through something no one has ever been through, or that is extremely compelling or extraordinary, a memoir is hard to sell. I’m already thinking about this after this paragraph. Many people write memoirs about their parenting experience, but unless it’s radically different from everyone else’s experience, it won’t be enough. I’m going to keep reading to see if this is different enough. The query itself, though, minus the questions in the beginning, has a good start.
In this 22 chapter (a word-count is good to know, but since we have no idea how long your chapters are, this is not helpful) memoir, readers will first be introduced to Borya in the dusty play yard of an orphanage in Kazakhstan when I was there adopting another child. (This is interesting because there are not many books set in Kazakhstan) They will learn of the five year quest to find him, adopt him, and bring him home. They will come to realize, as I have, that there is more to bringing someone home than changing their address. For children with RAD, bonding and attaching to a family does not come naturally, or easily, and sometimes it never comes at all. For a parent to love a child without reciprocity can be heartbreaking, and has led to parents disrupting adoptions, abusing their children, and even sending them back on a plane.
I’m mildly interested. I do think this is radically different enough to have potential.
This book describes my initiation into the world of RAD. There is raw honesty (always awesome, in a memoir) as I share my successes, my failures, my moments of weakness, my fear at thinking that I would not be able to do this. By weaving a few tales of my own upbringing throughout the book, I hope to give the reader some perspective as to who I am as a person, as another flawed and imperfect parent.
When I searched for books on RAD, I found many titles. After all, of the roughly one million children adopted annually, more than 10% will present with severe challenges related to RAD, and all prospective adoptive parents are instructed to educate themselves on this frightening “what-if”. The books I found, however, discuss treatment strategies for RAD, or delineate the ordeal of families who have struggled to come to terms with this disorder, only to end in sadness, with broken hearts and feelings of failure all around. To my surprise, I found no books that recounted personal tales of success in raising a child with RAD. My son, who has made so much progress towards becoming a part of our family, tells me I need to write this book so that others can see that it can be done.
Children of My Own has evolved into a book from its origins as a blog. The blog was begun during the adoption process, but continued once the kids were home so I could share both the comedy and insanity of raising six children while RAD unfolded itself before my eyes. The blog’s readership has grown to roughly 6,000 per month and has given hope to many other parents who are also struggling to raise a child with RAD.
Even outside of the adoption community, my story has served as an inspiration to many, and my platform is growing rapidly. In addition to the blog, I have several published essays/articles in the magazines Adoption Today, Adoptive Families, and Country Magazine, as well as two essays published in the book The Foster Parenting Toolbox, published by EMK Press. Through my blog, I have been contacted by an agent from the Magical Elves production company, who expressed interest in doing a segment about our family in an upcoming show. I have given permission for an adoption counselor to use posts to help educate prospective families. My blog is also featured periodically on the blog Five of My Own, which receives more than 60,000 hits per month.
Ms. X, I know I will need the guidance of a professional to help polish this manuscript (my first), (so, then you admit to being unpolished? This is risky. Even if you are a newbie, don’t wave that flag) and when I read your bio and saw that you specialize in blog-to-book projects, (it does not say that in my bio. And I don’t. I wonder whose bio you were looking at? Did you just assume?) I had such a strong feeling that you are the person to champion this book. I look forward to hearing your thoughts and I hope you will see something in my story that you feel is worth telling.
This query is a bit long and rambling. Paragraphs 2, 3 and 4 are fine. The only truly helpful information in paragraphs 5 and 6 are the statistics on how many kids are adopted and how many face RAD-related challenges, the fact that you have a successful blog with an audience (is it 6,000 or 60,000? You’ve used both figures.) and that you have six adopted (?) kids. This information should be concisely incorporated into paragraph 7. The rest can be scrapped without consequence.
All in all, this wasn’t half-bad. And while I think this query rambles a bit, and I have a hunch the rest of the manuscript does too, I would like to request it anyway. This subject matter is compelling to me, and I’m curious to see what the author does with it.
LR
QueryDice #12
The following is a query critique. Comments, suggestions and discussion are welcome and we hope you join in. I can only offer one opinion. The author of the query and I would love to hear yours!
Dear Ms. Ruth:
Superstes Island is a completed 90,000 word young adult novel narrating the first person perspective of two main characters. This fast-paced read is the first in a trilogy and should fit in well with the popular science fiction slash romance genre that captivates young adult readers.
I would have stopped reading after this paragraph. “Superstes” looks like a spelling error and I’m wondering how to pronounce it. The paragraph is extremely wordy. A novel doesn’t “narrate” anything, it’s characters or narrators do. We don’t need to know, at this stage, anything about point-of-view or even who is telling the story. I worry, at this point, that your thought-process is not focused enough to write a book. There is no “science fiction slash romance genre.” You have lumped two very different, huge genres together, which tells me you might not be very knowledgeable about your target market. Finally, no one, even a hard-core genre reader, is captivated by a specific genre. They might like one fantasy novel and not another. I assume that you were trying to express your awareness of young adults’ attraction to romance and science-fiction, but this was not clear. None of these issues on their own would have earned a rejection from me, but lumped together, all in two sentences, I’m confident that this query is not ready to be sent to agents and I can only assume the same is true of the manuscript.
Adah Trevino is a handpicked orphan who stars as a member of the newest type of reality show. The producers of the show have assumed legal guardianship over three dozen orphans who make up the cast, and the memories of these orphans have been wiped clean of their lives prior to arriving on Superstes Island. These orphans were then genetically engineered to become a new type of being, ones with superhuman abilities from altered DNA strands injected into their bodies. These genetically engineered orphans, or GEOs as the whole world has dubbed them, are the most innovative version of reality show stars known to man. They’re glorified teens who lead a life above ordinary; lives that have captivated an international audience for ten years.
We really don’t need a breakdown of how the orphans became altered. I think it might be better to simplify that into a single sentence and focus instead on building your character and your world.
I also think you should establish Adah’s life as she knows it in a couple of sentences. How is her life above ordinary and how is she glorified. Is she happy this way? Then, you can introduce to the reader that she’s actually a GEO, stolen and abused to be cast in a reality TV show.
But Adah has no idea she is a contender in this reality show that airs twenty four hours a day. She thinks she is the survivor of a nuclear world war that has caused her mutated abilities.
Like millions of viewers around the world, William Harrison watches Adah Trevino every day of his life. Like millions of other males around the country, he is also head over heels for this gorgeous GEO on the show. But his attachment to Adah goes far beyond superficial attraction. Will knew Adah before she became a legendary icon. Not only does their past link them together, but Will’s father is also the network producer for the show. Through this insider connection, he begins to realize that Adah’s life is in real danger.
Suddenly, Adah’s dreams of escaping the island one day become a necessity, and Will plans on doing whatever it takes to help set her free.
How did Will know Adah? Was their relationship significant? More importantly, why is Adah’s life in danger, why should Will care this much, and what obstacles do they face in saving Adah’s life?
The best thing you can do for your query is to build up your story’s world. In what kind of world would something like this happen? How would the authorities allow orphaned children to be abused in this way? Is this set in a dystopian future in which the government no longer cares about its people?
My name is Raiza Jaimes and I have a true passion for writing and Literature. I have a Bachelor’s degree in English and I am a high school English teacher. I hope this short taste of Superstes Island captures your interest. Please contact me if you are interested in reading more. Thank you for your time and your consideration.
We already know your name from your salutation. Personally, I don’t need to know that you have a true passion for writing and literature. I’ve already assumed this, since you’ve written 90,000 words. This won’t make or break your query, but I wouldn’t waste space on it. I normally disregard any personal information in the platform/credentials paragraph that does not directly contribute to a platform. Things that directly contribute to a platform are contest wins, previous publications, writing experience, industry affiliations, etc.
Lastly, this story is actually really intriguing, especially the fact that she’s an engineered orphan who doesn’t know what she is, that she’s being constantly watched, and the element of danger in her life. If this query were organized better, I would have been more interested, but I’m concerned that the manuscript will have the same problems as the query.
Sincerely,
[redacted]
LR
The Writer’s Crescendo
You’ve queried widely. You’ve re-written your book a few times. No one wants to read it and no one’s listening to you. You’re shouting as loudly as your tiny voice allows, but the din of everyone else’s voice drowns your words. So what do you do? Hide your book under your bed and blame everyone else for not seeing your art? Give up? Maybe. Or maybe you become weathered to the tough world that is book publishing and you slog.
Recently, I received a comment on this blog from an author who was angry and hurt by the world’s failure to notice him. My heart sank for this author. I thought about that comment during my work day as I wrote rejection letters and joined my authors in their joy of getting published, during my 2-hour commute home, as I worked toward my master’s degree, during dinner and even as I put my kid to bed. I’m entirely too busy to let something that small irk me, but I couldn’t get that author’s frustration out of my mind. I can’t do much to help authors in this situation because the truth of the matter is, an author is the only person who has the power to amplify his own voice. My advice to aspiring authors: do all of the following to the absolute best of your ability and you will find success.
1. Love your work. Love it so much that you can’t not do it. Be obsessed with it. Live, breathe your work. Make it your devout religion. If you don’t passionately love your work so much that it defines who you are, stop.
2. Read. Read at least 30 novels (50 is better) in your exact genre. Make sure they are the best of the genre. Read them critically. What do they have that your book doesn’t? What does your book have that these don’t? What do neither of you have, but could? Then, read a few of the worst. Is yours better? Read as many relevant blogs as you can. Agent blogs, editor blogs, author blogs, blogs, blogs, blogs. Read Publisher’s Weekly. Check out Publisher’s Marketplace. Haunt the publishing industry by devouring every word written about it.
3. Write. Write part of your novel every single day, even Sunday. Blog. Tweet. Constantly.When you’re done with your novel, query agents with it. When you’re done writing your novel, write another.
4. Connect. Online, collect Twitter followers like nuggets of gold. They are. Tweet interesting things that others will want to re-tweet. That means don’t tell people your dog just got neutered. No one cares. When they do, all their friends might too and other people might be interested in what you say and follow you themselves. Then, when you need to market, you’ll have a captive audience of 1,000 people who share your interests. Write blog posts for others’ blogs, let other bloggers guest-post on your blog. Run a contest on your blog to spark interest. Then Tweet about it. Away from your computer, attend every writer’s conference you possibly can. Join a critique group and participate heavily. Submit your work to contests. Then tell everyone about it. Join every writer’s association, group and organization you can. Take every class you can on all things publishing and then network with all the people there. Attend all publishing events you’re able to. You should be able to find out about them from all your reading.
5. Improve. See opportunities to make your work better and let them sail. Always ask yourself how your work could be better. Because just when you think it can’t get any better, it can. Take criticism as seriously as you would a medical diagnosis. Because it is, to your book. Don’t discount the opinions of others. They are all expert opinions, because each critic–even that weird guy in your critique group whose own manuscript sucks–is the expert of his own tastes, and you have to market your book to wide tastes. Don’t hold on to what isn’t working. Trash what needs trashing, even if that means your whole book. Cut what needs cutting. Somebody (Faulkner? Twain? Both?) said, “Kill your darlings.” So, kill them if you need to. You’ll get over it and get stronger because of it.
All of the above, along with a day-job makes for a pretty busy person. And that’s okay. Because if you love what you’re doing, you’ll love doing it all the time. If you don’t love what you do enough to put that much energy and time into it, then put all of that time and energy into doing something you do love. Do all of the above and your work will get stronger and stronger, your voice louder and louder, until some agent hears you.
QueryDice #9
The following is a query critique. Comments, suggestions and discussion are welcome and we hope you join in. I can only offer one opinion. The author of the query and I would love to hear yours!
Sociopaths are people without consciences. If you have a conscience, how do you spot someone who has none?
I’m not crazy about this opening. First, I don’t think having a conscience would inhibit your ability to spot someone who doesn’t. In fact, I think the opposite would be more likely. A question as the first line of a query is also a big pet-peeve for me and many other agents. The reason: my immediate reaction, most of the time, is, “I don’t know. You tell me. You’re the one who wrote the book.” The only glimmer of hope in this sentence is the word “sociopath” which immediately grabs my attention. Crazy people are entertaining–at least from afar.
In 1932 the use of forensic evidence is in infancy and the mere thought of DNA is a dream. If a skeleton pops up in someone’s backyard there’s little hope of finding out who they were–unless you’re Prudence O’Brian.
This paragraph is very disjointed from the one above it. You’re half-way through your query, and I still don’t know exactly what your book is about. Also, a nitpicker at heart, I have to point out that DNA was first isolated in 1869 and was understood to contain genetic material in 1927. I can assume you meant to convey that DNA was not used in forensics at this time due to a lack of knowledge and technology, but that’s not what you’ve said. When I read this, I questioned your fact-checking, even though I’m actually quite certain you didn’t mean to write anything incorrect. Clarity is very important in such short-form writing.
Pru isn’t a coroner or a detective. She’s a twenty-four year old woman with a penchant for justice and a dangerous right hook.
How can a woman who has no credentials other than being female, tough and into justice, trump the knowledge and experience of the police force or those in the medical fields when identifying a skeleton? This seems far-fetched and overdone.
To find the skeleton’s identity, she’ll brave grimy gin mills, locked office doors, and three story mansions on Grand Avenue.
Without the use of DNA, in a time when there was little hope–even for the police or medical practitioners–of discovering the identity of a skeleton, how could Pru possibly identify the skeleton by braving gin mills, locked office doors and mansions?
But discovering the skeleton’s identity also means unmasking a killer whose own idea of justice is silencing anyone who knows the truth.
I like this sentence. It’s well written, engaging and draws my attention. Whatever you do, keep this sentence.
I received a Bachelor of Arts in history from Drake University. After graduating from college, I worked as a tour guide at a living history museum. Most of the information we conveyed to the public had to be learned by research or by personal experience. I can milk a cow, cook over an open hearth or on a wood burning stove, and lead oxen. I believe the small details of a character’s everyday life are what draw people into a story.
The strongest point in your bio is your B.A. in history. You’ve drawn from this by pointing out that most of the information conveyed during your tour-guide days was learned informally by personal experience. Can you personally experience history? I would consider omitting the latter.
My 100,000 word historical mystery, [redacted], is complete and available for review.
Thank you for your time.
[redacted]
I would like to get to know Pru (by the way, I love her name) better. I like that she has a killer right hook, but what is her personality like? Why should I care about her? And why is involved in the justice system? Is she just a meddler? A P.I.? This is unclear, which brings me to another point: clarity is something you’re lacking here, and I think the query would improve with more fleshing out of characters, plot, and logistics. Lastly, where’s the sociopath? That’s the most interesting part!
I wish you the best of luck. I believe there’s a story in there.
LR
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